Ken Auster wanted more

March 11, 2015 § Leave a comment

Ken Auster | Market Share

Ken Auster | Market Share

BIG BRUSHES, a lot of paint and the simplification of shapes allowed Ken Auster to create impressionistic images of complicated scenes. Painting nature was fun, but he wanted more. Instead of going to the coast and looking west, he looked east and saw edges, cars and telephone poles. He rejoiced in this newfound ability to paint anything and everything — cafes, train stations, airports, street scenes and, of course, never far away was the beach, his first love.

Auster found a dynamic irony between the new man-made and the ancient coastline. The next step was an inside move. He started painting the interiors of bars and restaurants. He found a hidden dialogue that existed in the paintings and the warm and good feeling they created.

Read more: The art of surfing

Botticelli to Braque

March 9, 2015 § 1 Comment

ANYONE WHOSE APPETITE for painting has gone cold will find it inflamed again by “Botticelli to Braque: Masterpieces From the National Galleries of Scotland,” a spectacular exhibition at the de Young Museum in San Francisco.

Read more: “Scotland’s stupendous stash

A Facebook story

March 7, 2015 § 1 Comment

Inside Move | Ken Auster

Ken Auster | Inside Move

By PERI SCHWARTZ

It all began when John Seed, the art blogger for the Huffington Post and a Facebook friend, posted his interview with Sandy Ostrau. Her exhibition was at the Thomas Reynolds Gallery in San Francisco and the work captivated me. As a painter, I feel connected with the artists from the Bay Area and am strongly influenced by Richard Diebenkorn’s figurative work. Here was a gallery showing work that I related to.

I became FB friends with the gallery and loved what Thomas posted. Along with posts about work he was exhibiting, he put up interesting articles and photographs. I certainly would have missed the talk Gretchen Diebenkorn gave about her father if he hadn’t posted a link.

When he posted the painting “Inside Move” by Ken Auster in December, I shared it on FB. My cousin Charles in Boston fell in love with the painting, especially because it reminded him of a bar he used to go to in lower Manhattan. He showed it to Jackie, his wife. Charles’ birthday was approaching and Jackie wanted to buy him the painting as a surprise. I encouraged her, she called the gallery, and now they have a beautiful painting by Ken Auster in their living room.

peri@perischwartz.com

A long lost painting comes home

February 19, 2015 § Leave a comment

David Park | Woman With Coffeepot (1958)

David Park | Woman With Coffeepot (1958)

By JONATHAN CURIEL
SF Weekly

The 10 million people who read the June 8, 1962, issue of Life magazine saw an America that was undergoing profound cultural shifts. More people than ever were worried about weight gain (Kellogg’s advertised a cereal “for common sense weight control”). More people than ever were flying abroad (“Americans in a new age of world travel,” read one article teaser). And more people than ever were considering the art world’s “current resurgence of the figure in painting,” as the magazine labeled the trend.

Life devoted eight full pages to the art-world development, paying close attention to the work of Bay Area painters Elmer Bischoff, Paul Wonner, Richard Diebenkorn and David Park, whose featured painting in Life, “Woman with Coffeepot,” offered an unforgettable image: A woman both beautiful and monstrous, whose body was a pastiche of thick, colorful paint strokes that were like bandages on a burn victim. Park, who painted “Woman with Coffeepot” in 1958, was straddling the line between abstraction and representation. The people in Park’s paintings from this period seemed half-finished and even primitive, as if they were a race of human sculptures trying to find form.

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Farewell to Fillmore & Pine

February 12, 2015 § 77 Comments

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Dear Friends,

In celebration of its 20th anniversary, we have decided to declare victory and close our gallery at Fillmore & Pine Streets in San Francisco at the end of February.

What began as a six-week exercise in following your bliss has led to the creation of a wonderful community of artists and collectors over two decades. Among the opportunities for which we’re most grateful:

• Presenting the first gallery exhibitions of a long list of talented artists, including Ken Auster, Francis Livingston, Michael Reardon and Veerakeat Tongpaiboon.

• Working with key figures from the Bay Area Figurative Movement now departed, including Theophilus Brown, Paul Wonner and Henry Villierme, who had a late-in-life resurrection of the art career he put aside 40 years earlier.

• Learning from wise gallery veterans like Charles Campbell, Jan Holloway, Claire Carlevaro, Barbara Janeff and the ever-helpful Mark Hoffman at Maxwell Galleries — and especially for the tutelage and friendship and good ideas of art historian William Whitney.

We are eternally thankful for your encouragement and appreciation and support — and for the friendships we have made during your visits to the gallery. Many, many of you have acquired terrific paintings you love, and we have watched together as a group of extremely talented artists have pursued their passions and established considerable success.

The TRG website and Art Matters, our online magazine, will continue. We look forward to keeping in touch with you through periodic emailings and posts on our Facebook page.

New adventures await! In addition to ongoing legal and publishing ventures, I am looking forward to pursuing interests and opportunities still to be discovered. To that end, I welcome your suggestions and introductions.

Thank you for 20 great years. Onward to the next 20!

With thanks and all good wishes,
THOMAS R. REYNOLDS

Lessons in stained glass

January 31, 2015 § Leave a comment

Putting finishing touches on the Swedenborgian's St. Christopher window

Putting finishing touches on the Swedenborgian Church’s St. Christopher window

FIRST PERSON | DOUGLAS G. STINSON

Like many people, I had been active in church life from childhood into early adolescence. Then, confronting what my teenaged mind saw as cowardice and hypocrisy within my church, I swore off religion.

In college I became aware of the writings of the 18th century scientist and Christian mystic Emmanuel Swedenborg and, as a scientist, was drawn to his insistence that the teachings of faith and reason must conform. But I had no interest in being part of any organized religion.

Until I walked into the San Francisco Swedenborgian Church.

I was awestruck by the building’s humble strength and simple beauty. Everything breathed a spiritual essence. I knew I wanted to be a part of it.

By 2012, the condition of the stained glass windows that had graced the Swedenborgian church at the corner of Lyon and Washington Streets for more than 100 years had deteriorated. We learned that if action were not taken, the beautiful windows — an integral part of the National Historic Landmark — could be lost forever.

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A message from Barcelona

December 20, 2014 § Leave a comment

A painting of Fillmore and Clay Streets in San Francisco by Joan Longas

A painting of Fillmore and Clay Streets in San Francisco by Joan Longas

Dear Thomas Reynolds,

I had the pleasure of meeting you in your gallery this past summer. From that visit to San Francisco was born this painting that I just sold to a customer who, although he is from Barcelona like me, I met through your gallery website.

Joan Longas

EARLIER: Our artistic corner

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