Dirk van Erp and the Swedenborgians
June 3, 2012 § 1 Comment
LUXURY WEEK arrives this month at Christie’s in New York, and the Rev. Joseph Worcester might be rolling in his grave at the news that his beloved Swedenborgian Church will be auctioning a historic lamp from the former parsonage next door. It is estimated to fetch from $40,000 to $60,000.
But he would be pleased the proceeds will be used to restore the church’s stained glass windows designed by Bruce Porter, a key player in Worcester’s circle of artists and writers who helped create the church and garden on the corner of Lyon and Washington Streets in San Francisco. Also to be restored are the church’s iconic square-legged chairs with rush-bottom seats — said to be designed by legendary architect Bernard Maybeck to Worcester’s specifications — which inspired the Mission-style furniture that followed.
The dignified home at 2121 Lyon Street was built for parishioner Gertrude Bowers in 1894 at the same time the church was being built next door. It was intended as a parsonage, but Rev. Worcester preferred to stay in his simple wood-shingled home at the top of Russian Hill. In 1900 the residence was bought by acclaimed artist William Keith, another key member of Worcester’s circle. Keith also bought the lot beside the church on Washington Street, which is now the Swedenborgian Parish House.
In 1910, shortly before Keith’s death, he sold the residence to Isabel Baldwin, who in 1921 sold it to the Eloesser family. It remained in that family until Nina Eloesser died in December 2010. The family had arranged for the house to be deeded — at long last — directly to the Swedenborgian Church.
The church has just begun to renovate 2121 Lyon Street. But before the work could begin, the distinctive copper and mica chandelier had to be removed from the dining room. It was thought to be from the San Francisco studio of Dirk van Erp, one of the most celebrated craftsmen of what came to be known as the Arts & Crafts movement.
Collectors and the major auction houses came calling when news of the rare and unseen van Erp chandelier began to circulate. Church officials decided to put the lamp up for auction at Christie’s in New York alongside a thicket of Tiffany lamps, many from the collection of the Eddie Rickenbacker saloon in San Francisco.
Christie’s is promoting the lamp as “property from the Swedenborgian Church,” circa 1910, “originally in the home of the painter William Keith, a friend of Dirk van Erp, until his passing in 1911.” Technically that’s more or less true, but after connoisseurs arched their eyebrows, Christie’s revised its online description to make clear that the lamp comes from property owned by the Swedenborgian Church, not from the church itself.
Likewise, while William Keith owned 2121 Lyon, it was never his home. He lived across the bay in Berkeley. Keith probably knew nothing of the lamp since he sold the house in 1910, the same year van Erp opened his studio in San Francisco.
And no one can prove definitively the lamp is by van Erp. It does not bear his distinctive windmill mark, nor was van Erp known to make chandeliers. But the lamp bears all the hallmarks of his studio’s work, and specifically that of his nephew and chief assistant August Tiesselinck, who did make chandeliers, and for a time had his own copper shop on Sacramento Street near Fillmore.
It seems likely the chandelier was added to 2121 Lyon after the Eloessers bought the residence in 1921. Van Erp continued to operate his copper shop through the 1920s, and the Eloessers also had two copper and mica table lamps marked with the van Erp windmill. In addition, van Erp created hand-hammered copper desk sets featuring the monograms of both Herbert and Nina Eloesser.
None of that diminishes the uniqueness or the desirability of the lamp. Arts & Crafts collectors and enthusiasts will be watching closely on June 14 during Luxury Week at Christie’s.
— THOMAS REYNOLDS