My Minimalscapes

October 11, 2018 § Leave a comment

kf_foursome

Kim Frohsin | Minimalscapes (1991)

FIRST PERSON | KIM FROHSIN

These four paintings on panel were created in succession during 1991, “my year of the ruler” — as in using the literal measuring tool to make marks or hold a brush load of paint against. That was my 30th year, near the beginning of my three-decade career in fine art.

I was then — as I have been in the decades since — exploring new subjects and new ways of making work. My exploration was informed by direct, concrete, personal life experience, and also by intuition, imagination and risk-taking.

These particular small works were borne during many months of making paintings on paper and panel that were as close to pure abstraction as I have ever come. In 1991, while walking in the hot Scottsdale, Arizona, sunshine, I made a simple linear drawing of a white tent. Then, back in San Francisco, this minimal drawing was the spark for a flood of work, over many months, which had as its core subject a house or tent shape. Numerous “architectonic” paintings evolved.

These four “scapes” were directly influenced by a 30th birthday gift from my grandmother: a trip to Turkey. These paintings in a muted palette, completed post-trip, stem from memories of our travels and things arid, ancient and beige.

The elements of earth, sky and water appear in these four, along with a sense of vastness and timelessness. They each are anchored by fictional objects and shapes: a floating mound as black mass, a berm of land with a steep linear road, a castle-like silhouette and wall, a banner shape like an enormous volleyball net. They seem expansive in their small-scale format. Yet they are condensed and quiet — an internal distillation of that lovely gift of travel to an ancient place.

Like all of my work, this group of four paintings are autobiographical. Until now, I’ve held on to them like entries into my private diary. In 2017, I finally decided to take them out of my youthful handmade frames and have them professionally framed. This year I am finally ready for them, for the first time, to go out into the world.

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