The shadow knows
June 30, 2020 § 1 Comment
MICHAEL REARDON’S painting Light and Shadow has been juried into the 100th international exhibition of the National Watercolor Society, to be presented online this fall from October 1 to December 20.
Reardon, one of the nation’s most respected watercolor painters, tells how it happened.
I had long been interested in doing a fire escape painting, mainly because of the beguiling shadow patterns. After several false starts over the years, last June I saw this fire escape outside Specs’, an old San Francisco dive and thought this could be the one. I did a sketch but put it aside because there was something wrong with the composition.
In April, I was rearranging my stack of “problem” sketches when a piece of paper covered the right side of the sketch and, voilá, the composition problem was solved.
Sometimes painting works in mysterious, or not so mysterious, ways.
Thanks for posting this. Long ago an architect quoted Canaletto: “It’s all in the shadows.” Probably apocryphal, but it’s stuck with me.