April 24, 2017 § Leave a comment
BAY AREA ARTISTS Kim Frohsin and Sandy Ostrau discuss the Matisse/Diebenkorn exhibition, the Bay Area Figurative Movement and other influences on their work, in conversation with the Smithsonian Institution’s Paul Karlstrom.
April 13, 2017 § 2 Comments
By THOMAS R. REYNOLDS
With her right hand she painted as Marion Seawell. With her left hand she wrote as M.C. Wells. In both her right-handed paintings and her left-handed writings, she spent a lifetime exploring the quirks and contradictions of her dual personalities.
That lifetime came to an end on April 7, 2017, when Marion Seawell died at age 88 in Mill Valley, California, after a fall and a short hospitalization.
She led an interesting life, as she acknowledged in the dedication of a monograph of her work, published in 2008 on her 80th birthday: “To all the dear friends, young and old, past and present, who have helped make my journey through life such an interesting adventure.” The book was titled This Has Certainly Been a Lot of Fun.
In the book, as in her life and art, she told a rigorously honest personal story. « Read the rest of this entry »
March 12, 2017 § Leave a comment
“MONET: THE EARLY YEARS,” the new exhibition at San Francisco’s Legion of Honor, provides convincing evidence that Claude Monet had special talent from an early age — even if many of the paintings don’t rank among his greatest hits. Two standouts come from local collections: a painting of the artist’s father reading in a garden from the Larry Ellison Collection, and boats at rest from Ann and Gordon Getty.
March 11, 2017 § 1 Comment
FOR HER MOTHER’S 80th birthday party up at The Sea Ranch, Sandy Ostrau was enlisted to paint 94 little paintings of the area on cards. Her mother, still strong of fighting spirit, added an action item on the back of each as a way to resist the political tide.
“Take the card that has both a painting you like and an action you would be willing to do,” she asked her guests. “Carrying out the action would be a meaningful birthday present to me.”
Sandy’s verdict: “A big hit and fun project.”
February 19, 2017 § Leave a comment
Q & A | KIM FROHSIN
What is the creative process like for you?
To date it’s one in which one series or interest will somehow, in a deeply intuitive and subliminal way, lead naturally into the next work. To me, it seems like an innate flow and natural transition typifies my modus operandi over the last 29 years. There have certainly been times when my art is directly influenced by life circumstances or my reaction to those circumstances. Life on a personally intimate scale or on a large scale — for example, the death of my dog, or my reaction to 9/11. The art can serve sometimes as documentation, therapy or an emotional necessity for self-expression; the art simply emerges, life translated into imagery.
February 2, 2017 § 1 Comment
FIRST PERSON | MARION SEAWELL
When I was 19 years old, I was a waitress at Deetjen’s in Big Sur, California. A year later, I lived with the Fasset family, who built Nepenthe, and Lolly Fasset and I dug the clay and baked the adobe bricks that surround their magnificent terrace.
I was confident I was a superb artist, and I drew countless pictures of horses. One day I was trimming my long hair and asked a visitor from Los Angeles — an art teacher — if he would trim an inch off the back while I held my hand mirror. He was not shy about letting me know my carefully shaded pencil drawings of horses did not add up to much in the real world. He lifted up a long handful of my hair and — whack — cut it off at my neck. As I gaped in horror, he proceeded to cut off all of my long hair. Then he said I needed bangs and snipped some more. I was in a state of shock.
The blow to the self-esteem of my sensitive (left) side was devastating. From that moment on, I was transformed into a short-haired Bohemian. I wore togas, sandals and belts of yarn. I didn’t draw a horse for years — in fact, I did no artwork at all except for learning to weave wild things. That was when I really began to learn about art.
FAREWELL: “This has certainly been a lot of fun“
January 26, 2017 § Leave a comment
CHRISTO HAS CALLED OFF “Over the River,” a project long in the works for a pastoral stretch of Colorado, as a protest against the new national landlord. But preparatory drawings already hang in the pantheon of Christo’s work in a small and unlikely museum: the off-the-path country post office in Valley Ford, California.